Universal Audio UREI 1176 LN Rev H Silverface (vintage)

Description

Universal Audio UREI 1176 LN Rev H Silverface (vintage).
I've decided to sell my beloved 1176 LN. If you are looking at this, you likely know that this is a centerpiece of the analog studio. It's truly a great piece. I picked it up around 2012 from a doctor that had it in his studio since the 80s. It's been taken great care of and sounds excellent.
Serious inquiries only. Price is firm. This piece of gear either belongs in your studio or in a museum. I'd love to see it go to someone that can appreciate what it is.
A few minor things about this unit that I want to point out:
- The inputs are TRS. You can also outfit it with XLR cables.
- One of the terminal wires on the TRS pigtails on the outside of the unit has broken off the disconnect.  The wire is simply stripped and connected to the terminal. Not a big deal. I may fix in the next day or two.
- At some point, a previous owner had a inline power fuse installed, bypassing the proprietary unit fuse. This will make it easier to replace the fuse, should it blow.
- The unit sounds great, no noise or static. The pots function as expected, no static.
- Since I've owned this unit, it's been in a smoke free studio inside the rack. It was only powered up when needed, and I probably put 4 or 5 hours of use on it since I purchased it.
- The previous owner drew some arrows on the face plate to show desired input, output, attack, ratio and signal settings.  The arrows are small and not very noticeable, but they're there
- There are small scratches here and there, especially on the rack ear, but nothing major.
-  The VU Meter lamp needs replacing.  Normal in a unit of this age.
Thank you!
PRODUCT DESCRIPTION
The
Urei 1176 Compressor/Limiter
was first introduced in 1968, created by Bill Putnam Sr. as the solid state successor to his tube-based 176 limiting amplifier. The 1176 uses a Field Effect Transistor, or FET, as a voltage divider to accomplish the task of compression, in conjunction with I/O transformers and a Class A line level amplifier. The 1176 was meant to be a ‘true peak limiter’ with a very fast attack of up to 20 microseconds, and lots of gain for a compressor - up to 45 dB.
The design of the unit went through numerous changes, taking a while to hit its stride. The originals were somewhat noisy, prompting Brad Plunkett of Urei to design the Low Noise circuit that gave the unit its ‘LN’ designation. Improvements continued to be made over the years, with the result that there are 9 major revisions of the vintage 1176, given the letters A, A/B, B, C, D, E, F, G, and H. The substance of these revisions is detailed below, gleaned from the Universal Audio website.
Based on the look of their faceplates, Revisions A, A/B, and B are all nicknamed the Bluestripe, since they all featured a section of blue paint around the VU meter. Revisions C to G all have the nickname Blackface for their black anodized aluminum, while the final Revision H is known as the Silverface, for its natural brushed aluminum. Most units include the revision letter with the serial number on the back. Revisions C, D and E (the first three with the LN circuit) are all very similar, and are historically the most beloved.
Despite the many design changes, all 1176 units have their basic features in common:
Input level control
Output level control
Threshold: dependent on input and ratio levels
Attack time: variable 20 µS microseconds to 800 µS microseconds
Recovery time: variable 50 mS to 1.1 sec
Compression Ratio: 4:1, 8:1, 12:1, 20:1, All-button
VU Meter
Meter select: Off, Gain Reduction, Output Level at +4 dBm or +8 dBm
Barrier strip I/O and 1176 SA stereo-link RCA jack on rear
Great condition.  See this video to hear it in action!  https://youtu.be/ZCRQodVE3G4
HISTORY
Revision A
: Serial Numbers 101-125
The original 1968 design by Bill Putnam used an input transformer at the industry standard 600 ohms resistance (Peerless, later UTC), a T-pad resistive attenuator to drop the input voltage, a FET acting as a voltage variable resistor to control gain, followed by a bipolar transistor as a preamp (the famous 1108 circuit with a Darlington pair). The output amp circuit was similar to the preamp, but followed by a 2N3053 bipolar transistor operating in Class A. The output matching transformer at 600 ohms was a UA-5002 (later improved to UA5002A) with a split secondary, a tertiary winding for negative feedback to the final line output circuit, and a separate emitter winding. Covering up all this electronic wizardry was a brushed aluminum faceplate with blue paint around the Weston meter; two black plastic control knobs with silver tops and clear plastic collars; two smaller black and silver knobs; eight black plastic pushbuttons; and a red power indicator light. All the revisions to follow would maintain the same controls, but the red power light would disappear when the black faceplate was introduced.
Revision AB
: Serial Numbers 125-216
A few short months after the initial version, an intermediate step was reached with some small improvements to the circuit and components. Resistor values were changed in the signal pre-amp stages, and bypass capacitors were added around the the resistor feeding the gain reduction FET. These changes improved noise and stability. All cosmetics remained the same.
Revision B
: Serial Numbers 217-1078
The next year saw some more changes to the preamplifier circuit. The FETs were replaced by a 2N3391A bipolar transistor. Also, a tap off the emitter of the first transistor gave feedback of the input voltage back to the gain reduction FET. All cosmetics remained the same.
Revision C
: Serial Numbers 1079-1238
In 1970 two major and two minor changes were implemented. Low Noise circuitry was added to the preamp stage in order to reduce the Drain-to-Source voltage of the gain reduction FET, keeping it within its linear range. This circuit was sealed in epoxy to keep it secret while a patent was pending. Also, a Q-bias pot was added to the feedback circuit of the audio FET, to minimize distortion. Both of these mods were mounted onto an otherwise normal Revision B circuit board.
The important addition of the Low Noise circuit changed the model designation from 1176 to 1176LN, which was prominently displayed on the new black anodized aluminum faceplate. The blue stripe disappeared, and the meter was changed from a Weston to a Modutec with two overhead bulbs. A major facelift for the model that would become the basis of all future 1176 versions.
Revision D
: Serial Numbers: 1239-2331
The next revision did not change the circuitry, but the new LN circuit and Q-bias pot of the previous revision was now integrated into a new circuit board instead of being soldered on as an afterthought. A minor cosmetic change was the addition of the Urei logo on the faceplate.
Revision E
: Serial Numbers: 2332-2611
Another minor revision in the early 70s: the addition of a power transformer to switch between 110v and 220v. Thus revisions C, D, and E are all virtually identical.
Revision F
: Serial Numbers: 2611-7052
In 1973 some major changes were implemented. UA had developed a new preamplifier, the 1109 model, and this was the basis for changing the output amplifier from a Class A design (the 1108 model) to a Class A/B push-pull configuration (the 1109) providing more output current. In conjunction with this, the UA5002A output transformer was replaced by the B11148 transformer (used in the LA-3A), providing 12 dB of gain.
The meter drive circuit was also changed, replacing the discrete circuit of balanced bridge transistors with an operational amplifier, to simplify meter calibration.
Revision G
: Serial Numbers 7053-7651
The final major change to the circuitry occurred in Revision G. The input transformer was removed and replaced with a differential input op amp stage.
Revision H
Serial Numbers: 7652- 8000+
The final revision made no changes to the circuitry, only the cosmetics. The faceplate is changed from black anodized to natural brushed aluminum. The Universal Audio silkscreened logo is removed and replaced with a blue Urei logo on a raised badge. The VU meter is changed to a Modutec "light box" type, using two internal lights, and the Off button for the meter is changed from black to red plastic.
In essence, there have been only four basic versions of the 1176: the Bluestripes A, A/B and B; the Blackface LN’s C, D, and E, the higher output Blackface F, and the final G-H versions with op-amp inputs, in both black and silver faceplates.
Click here to learn more about the history of the Urei / Universal Audio 1176LN Compressor / Limiter.